On Thursday and Friday, Brooklyn-based artist Aisha Cousins will present her work-in-progress, Brer Rabbit The Opera: A Funky Meditation On Gentrification, at BRIC House Ballroom as part of their Fireworks residency program. Directed by Letitia Guillory, and in collaboration with Greg Tate and Burnt Sugar the Arkestra Chamber, the production follows “…a black middle aged cool marketer, at the tipping point in his battle to claim the American dream, mov[ing] into a notoriously dangerous black neighborhood that just happens to be at the tipping point in its battle with gentrification.” Confronting the modern issue of gentrification through the lens of legendary black folk hero, Brer Rabbit, and his home in the Briar Patch, Cousins’ production explores “tricksterism, techno-anismism, and urban survival techniques” through “music, performance art and community engagement.” Below is my interview with her about her upcoming opera:
1) Can you tell the readers about her background and how it contributed to the development of Brer Rabbit: The Opera?
I write performance art scores (do-it-yourself instructions for live art projects) that engage black folks from different cultures and backgrounds in exploring their overlapping experiences. So one of my favorite projects for the past few years has been this fictitious holiday I developed called “Brer Rabbit Day” where individual black folks make up their own holiday based on their family history with or personal connection to Brer Rabbit stories. When my collaborator Greg Tate and I were trying to figure out what to propose for BRIC’s Fireworks Residency, he really resonated with that project and said we should do an opera about it.