I have some great news to share with you! I will be publishing my chapbook, Lucy’s Bone Scrolls: The Black Speculative Mystery School, in August!
The book is a collection of poetry inspired by the 2015 Afrofuturism Conference at The New School and the Black Magic: AfroPasts/AfroFutures exhibition. Three Legged Elephant’s (who will be publishing my book) founder Malcolm Boyd and I will be hosting a book release/author showcase event at Jamaica Performing Arts Center on August 17th from 6:30pm-8:30pm. If you are in the NYC area, I hope you can join us!
I am happy to announce that I will be moderating a panel Black Speculative Arts Movements conference on April 22nd at the Bronx Museum of Arts. The panel is the first in the Astro-Caribbean series.
According to the founders of BSAM, “Black Speculative Arts Movement, aka BsaM, is an annual Afrofuturism, black comics, and arts convention held at multiple colleges and universities throughout the United States.BSAM encompasses different positions or basis of inquiry: Afrofuturism, Astro Blackness, Afro-Surrealism, Ethno Gothic, Black Digital Humanities, Black (Afro-future female or African Centered) Science Fiction, The Black Fantastic, Magical Realism, and The Esoteric.
Our annual conventions, co-founded by associate professor and chair of the Humanities department at Harris-Stowe State University, Reynaldo Anderson, and founder of Midwest Ethnic Convention for Comics and Arts – MECCA, Maia Crown Williams, will include vending from a vast amount of comics, art, and artisan creators and vendors, live performances, a full international film festival via MECCAcon, afrofuturism, social activism, and comic centered seminars, classes, hand on workshops, plays, and much more. Students are also welcome to submit proposals to participate as well. We also heavily encourage schools to attend in groups.”
This conference is named #BSAMfuturismo2017 and you can buy tickets here. Read below the panel description and the panelists who will be joining me!
My aunt Cicely invited me to be on her show in Westchester, Give and Take: The Positives in Life. In the interview, I talk about my blog, Afrofuturism, the fantasy novel I am writing, and I read one of my poems, too!
Happy Black Speculative Fiction Month!
By the way, I am currently raising money to buy a new laptop and to advance my writing. Head to my GO FUND MEpage! Those who donate will have their names featured on my new Supporters page!
Hey everyone! I finally have downtime after the Queens Book Festival last Sunday, so I wanted to give you some updates and reminders about projects and other housekeeping stuff:
*Did you know I am on PATREON! I updated my page recently and you can visit my page here to find out about what I am working on currently. Please consider becoming one of my patrons, any amount is appreciated!
*Speaking of which, I also began a project called J. Expressions Bookshop! It is an initiative to support and promote authors and writers in Southeast Queens and to promote the need for more bookstores in Queens, especially in this area. If you are an author, writer, book artist, book lover and want to collaborate, you can visit my websitefor more information and myinstagram page.
*By the way, if you are in the Southeast Queens area, there is a new meetup writing group, Springfield Gardens Poetry/Writing, which will include workshops and will “explore world building for fantasy, sci-Fi, and paranormal.” The first meeting is August 26th!
*I designed a basic logo for Space:Queens! It’s Basquiat-inspired, but I’m not unveiling it yet. Stay tuned to see what it looks like!
*Space:Queens will return next week with Lacresha Berry!
Hey everyone! I’m sorry I was quiet on here last month. Due to illness, work and some technical difficulties, I wasn’t able to do much posting. But I wanted to share for National Poetry Month the chapbook I made for the DIY chapbook challenge.
For my, chapbook, Lucy’s Bone Scrolls: The AF Mystery School, I wrote several poems inspired by the New School Afrofuturism conference last year. I used parchment paper and chenille sticks/pipe cleaners to create the book because I wanted to give it a kind of scrapbook kind of look.
Check out some photos of the project below and I will be showcasing it live at the Women Writers in Bloom Five-Year anniversary event this month. If you are in NYC and want to come, I welcome you to do so; the wonderful poet Mariahadessa Ekere Talle will be the feature!
Sometime in the near future, I will publish the chapbook as an e-book, so stay tuned for that! Also, as I promised last month, I will premiere my Space:Queens segment next week!
For Black History Month, I present to you my published essay, “The Spiritual Technologist: An Afrofuturistic Techno-Ethos:”
Using the title of the character Rinehart from Ralph Ellison’s “Invisible Man,” I explore briefly the concept of the spiritual technologist as a way to develop my own philosophical ethos for the movement of Afrofuturism.
Louis Chude-Sokei, the author of The Last ‘Darky‘: Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora, will be releasing a new book, The Sound of Culture: Diaspora and Black Technopoetics.
Chude-Sokei, as he has done in his previous work, explores the complexities of race and ethnicity through a Caribbean lens. As someone who calls myself Afro-Caribbean-American, I realize how sometimes I don’t neatly fit into a dominant idea of blackness, which is usually centered around U.S. America black cultures. Because of that, I often notice how Black people from all over the world often have to adjust their ethnic identities by putting on, by playing with, by expanding the definitions of blackness.
In his first book, The Last Darky, Chude-Sokei examines the life of Bert Williams, who was from the Bahamas, and how minstrelsy weirdly became a technology Williams used to complicate blackness, to explore and break from the boundaries of the stereotypes of blackness. It explores how someone who was an immigrant, who had a different ethno-cultural identity, but was also considered superficially black, related to and navigated the world of blackness in America. It explores the intersections between, carnival/playing mas, masquerade, blackface and creation of identity.
In The Sound Culture, Chude-Sokei continues his exploration of the intersections of music, race, ethnicity, masquerade/carnival, minstrelsy, science fiction, and technology/machinery in the modern world through the lens of Caribbean creolity or hybridity.
Below are the table of contents for the book to pique your interest: