Category Archives: Poetry

Moving on the Wires: Happy New Year ! + Exceptional Scribble


Happy New Year to you all! I hope 2018 will be a year full of blessings for everyone and thank you for staying with me on this journey!

I’m looking forward to a year filled with magic and to start, next Tuesday at 8pm, I will be on the radio show Exceptional Scribble with Francine Elizabeth Natal (Sage the Poet). The topic will be: “Fiction Poetry with an infusion of Ancient African relics; celebrating culture to promote self-esteem.” You can listen to the show and call in to ask questions here. I hope you are able to join us!

Episode 197, The Exceptional Scribble Show

Theme song for 2018: “Black Girl Magic” (song by Dale Novella and video directed by Briannah Hagger) Enjoy!

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The M(N)STRY: Activating the Archive Through Poetics


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With everything happening in the news that frightens me about the future of this country and world, I turn back again to the importance of the archive, storytelling and truth-telling for marginalized communities. Last month, I went to archivist and writer Joyce LeeAnn and researcher and writer Akeema-Zane’s workshop In the Middle of Things: The Poetics of Archival Praxis, which was part of Pioneer Works’ series Fact Craft.

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The M(N)STRY: The Legacy of Black Arkives


legacy+brochure+final+(spreads)Etymology of Legacy: late 14c., legacie, “body of persons sent on a mission,” from Medieval Latin legatia, from Latin legatus“ambassador, envoy, deputy,” noun use of past participle of legare “send with a commission, appoint as deputy, appoint by a last will” (see legate).

Can the archive be our arsenal and the archivist our warrior in this current war on memory and information? As ambassadors of the black archive, what stories are we sending out and leaving behind? Going in October and last month to the Weeksville Center’s The Legacy Project and their events centered around black archival work and memory reinforced that for me. The Legacy Project is “a continuum of James Weeks’ self-determining actions.” James Weeks, a freedman, purchased land in Brooklyn during the pre-Civil War era and with that land created what became the second largest known independent Black community in the U.S. Under threat of being forgotten, “in 1968, a small group of community activists rediscovered these four dilapidated houses that were rare residential remnants of historic Weeksville. Its rediscovery led to the restoration of the Hunterfly Road Houses, and the formalization of the Society for the Preservation of Weeksville and Bedford-Stuyvesant History, later known as Weeksville Heritage Center.” “The Legacy Project will continue this evolution through activating WHC’s archives, building annual public programs, public training workshops, and an internship program for students of color” interested in archival work.

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Moving on the Wires: Lucy’s Bone Scrolls Has Landed!!!!


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Lucy’s Bone Scrolls is officially here!!!

Thank you to everyone came to the reading on the 17th and for those who were unable to make it, below you can watch a video of the reading from the night and view pictures! The book is available here for purchase and please write a review.

View pictures from the night at Our World Media!

 

The M(N)STRY: Phillis Wheatley and Fugitive Imagination


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What happens when an enslaved person is given the tools to express her desire for freedom after being captured? When a young child taken from Senegal to Boston and renamed after the slave ship on which she was brought is then taught to read and write in not her own language and history, but in the language and history of Europeans? You get what the first black person to publish a book of poetry in America, Phillis Wheatley, wrote in “On Imagination.” Written a few years before she was granted her freedom, her poem, filled with allusions to Greek mythology and personifying Imagination as if it is a goddess of fertile creativity, is reminiscent of Fred Moten’s concept of the “fantasy in the hold.” This dream or possibility of movement while still in bondage, while still held back where you currently are. But also the tensions between exploration in a ship (whether on water or space) to other places and being shipped as a commodity. Is it the awe of coming to a new world, or is it violent abduction? Maybe both, like being raptured by a god common in Greco-Roman myths.

Wheatley’s poem portrays Imagination as a powerfully creative guiding spirit that breaks boundaries and hybridizes a particular experience of the world with the alien world it encounters to discover new meaning. Her use of Winter throughout the poem clearly shows her awareness of oppression of her mobility as an enslaved person and imagination is her muse for liberation. At a time (she wrote it in 1773) when Enlightenment principles taught that reason, often attributes to white, hetero-masculine power, governed over all other faculties of human expression, Wheatley celebrates the Imagination as a feminine, fertile power moving as part of a spacecraft traveling beyond limits placed on it. In the quote above and the rest of the same stanza (From star to star the mental optics rove,/Measure the skies, and range the realms above./There in one view we grasp the mighty whole,/Or with new worlds amaze th’ unbounded soul.), she describes Imagination exploring beyond the sky to different stars and even different worlds in what she calls, “the mental optics.” Remember this is 1773 and she is an enslaved black woman and yet she is imagining traveling in a spaceship. If that isn’t Afrofuturistic and the mind of a Black speculative writer, I don’t know what is.

Imagination, like her, is a genius in bondage and struggles to be free. Imagination was what allowed Wheatley to see and be aware of the fullness of the cosmos and through which she could envision new spaces.

Below is the complete poem:

 

On Imagination

Continue reading The M(N)STRY: Phillis Wheatley and Fugitive Imagination

Astro-Caribbean: Riddims and Revolutions (Music!)


Currently I am in the revision process of my poetry collection, and I was looking for a few inspirations for one of the poems in it. British-Jamaica dub poet Linton Kwesi Johnson came to mind and it lead me to one of his poetry recordings, “Reality.”

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Modern Griots Recap: Poetic Fragments from “Black Magic: Afro Pasts/Futures”


Yesterday was the anniversary of Nat Turner’s rebellion, and with the growing controversy surrounding the film due to Nate Parker’s rape trial from 17 years ago, my desire to watch the film has been mostly vaporized. But last weekend as I went through my photos, I came across Delphine Fawundu’s “Mende Woman on Nat Turner Plantation” and the other artworks exhibited at the Black Magic: Afro Pasts/Futures exhibition in May. Looking at the art again inspired a new set of poems from me (in addition to Beloved, which I read in full last week). Read the poetry and take a look at some of the art below:

This collection of poems is called, Black: Where Past and Future Become One; Where Magic Is Birthed.

Continue reading Modern Griots Recap: Poetic Fragments from “Black Magic: Afro Pasts/Futures”