It is a surreal feeling to know that you could go to war and fight for your country, survive the war and instead of coming back as a celebrated hero, be assaulted and lynched by the people whose freedom you fought for them to have. That was the reality of many black veterans who returned from World War I and World War II, a history that is not taught. For fear of black people becoming to “uppity” and demanding their rights after coming back from war, there were white people who needed to make examples of black veterans and keep them in their place, that they owed nothing to these soldiers who went off to fight a fight for them.
The Arch. The Ark. The Archive. The Arcane. The Archon. The Architect. The Archangel. The ArchAndroid.
The Chief Holder of a Culture’s Knowledge for Future Recollection.
The Cybernetic Helms(wo)man of the Ship Sailing to a New Horizon.
Last weekend, I attended Summoning the Archive at NYU. Attending it inspired me to think of the “archive” in relation to communities of color and Afrofuturism. A few archivists/librarians/curators of color have existed in speculative fiction. For example, remember the bluesman Peter Wheatstraw from Ellison’s Invisible Man who carried discarded blueprints in his cart? How about Akomfrah’s data thief in the Last Angel of History? Or the Puerto-Rican librarian at Columbia University, Nydia Ochoa, who helps Sierra (breaking the rules of the institution as Sierra is not a student) find out more about her cultural heritage in Daniel Jose Older’s Shadowshaper? Or Wanuri Kahiu’s Pumzi, which follows a museum curator who braves the outside world because of her dreams that life can exist out there?
So as you know a few weeks ago I had the opportunity to be part of the Black Speculative Arts Movement Conference, #BSAMFuturismo2017, at the Bronx Museum of Arts! Well, let me share with you some of the highlights from the day!
*Aesthetics and Actions in Afrofuturism/Black Speculative Thought:
Before I get to the above topic, I wanted to share this film that I had the chance to see — Òrun Aiyê, which was directed by Jamile Coelho and written by Cintia Maria. It is a stop-motion animated film that tells a candomble version of the Yoruba creation story.