Modern Griots Reviews: Renegade Performance Group’s “The Inscription Project”


The Inscription Project Credit: Rachel Neville

Graffiti and The Dance of Power Relations

From its beginning almost 40 years ago, Hip-Hop culture has had afrofuturist tendencies, from costumes and sounds of artists like Afrika Bambaataa and Ramellzee to later Missy Elliot and her videos with Hype Williams; to the hacking of street lamps to power sounds systems and other innovative rewiring to create the music; to the otherworldly movements of breakdancers and the artwork of graffiti. Well, choreographer and leader of the Renegade Performance Group, Andre M. Zachery, decided to pay homage to that spirit of Hip-Hop culture highlighting the power and politics of graffiti culture through dance. In the first work of Renegade’s AFROFUTURISM Series, called The Inscription Project, the piece takes inspiration from the art and philosophy of Ramellzee; it seeks to reignite the original purpose of the art movement as a politically empowering means to give voice and shed light on those who are on the margins of society and the social injustice they face everyday.

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