Hey everyone! I know I haven’t been on my blog for a while (I have been busy working on a few community projects in Queens and doing some needed self-care for the summer, too), but I wanted to share some good news! My poem, “Celestial Mary (Galilean Daughter),” was published this month in Apex Magazine! Thank you to Sheree Renee Thomas for including me in this special Zodiac issue of the magazine. You can read the poem here and make sure to buy a copy of the issue!
Susan Varo is a local Queens visual artist who is also the author of the speculative science fiction book called The Happening. In the Fall of 1983, she began writing The Happening inspired by thoughts and visions she had about the future and a world in the midst of constant technological advancement. It wasn’t until 2017 that she finally published the book.
Always a lover of “science fiction, the universe, and mysteries,” writing this book was a way for her to tap into what she calls a “strange foresight;” “the future [had] presented itself to her.” In the interview below, Varo talks about her work as a visual artist and what inspires her art and writing of The Happening.
1) Tell the readers about yourself as an artist.
I am a visual artist and I reside in Corona, New York. I primarily create my artwork from my home studio. I began drawing from the age of eight and it has been my passion ever since.
2) What are some major themes that you explore in your art?
Some of the major themes I love to explore in my art are people, places, moments in time and the feelings and inspiration that I derive from all of it. My artwork consists of portraiture, landscape and still life.
3) Which came first in your life: visual art or writing? How do the two interact with each other in your artistic practice?
Happy Black History Month, or Black Futures Month, depending on who you ask! 2018 is off to a great start for Futuristically Ancient! See the news below:
*The Afrikan Poetry Theatre is hosting Past, Present and Futurism at the Museum of the Moving Image on February 24th from 2pm-6pm. The day includes film screenings, such as the Ethiopian sci-fi film Crumbs, and a panel discussion, “Afro-futurism: The History & Future of Black Science Fiction,” featuring graphic artist Tim Fielder, filmmaker Mike Sargent, filmmaker M. Asli Dukan and yours truly! Also a special award will be presented to Octavia Butler! RSVP here!
With issues like gentrification and displacement of marginalized communities as well as the redevelopment of the Jamaica/Southeast Queens area, those of us who are from the area have a lot to think and worry about. What does the future of the neighborhood look like for us? Local design student, Sada Spence, who lived in Southeast Queens, decided to start a project series, calledDARK, where local community members could discuss the future of the African diaspora.
Today is “Columbus Day,” and as you all may be well aware of there is the growing controversy of whether to keep or remove statues of Columbus and other problematic white figures of history. There is also the growing conversation of replacing these statues with statues of civil rights heroes and other notable black figures. Instantly, I was reminded of my good friend, Yasmine Lancaster, who recently did an afrofuturist-inspired project where she imagined what it would have been like if Ida B. Wells had run for president. Begun as an earlier project where she hung smaller signs around the Bronx, she eventually evolved them into a larger poster-length size.
Recently I did an interview with Yasmine so I could share with you the backstory on the project! Here it is:
1) What was the inspiration behind your Ida B. Wells for President Posters?
The inspiration behind the Ida B. Wells for President poster was the current political climate in the United States, particularly in New York City. It was the election of 2016 and there was this intensity in the air on who would be the next president of United States. We were leaving the Obama era of politics and heading into uncharted territory with either a woman who would be president or Donald Trump. There was a buzz in the air. I had spent the summer doing interactive art projects asking the public to take what they need. I was inspired by another artist who had did something similar but in my case I replaced the take what you needs. Instead of “Joy” and “Happiness,” I replaced them with very “Black Girl Magic” things like “Perfect twist out,” “Melanin Filled Day,” and of course, “Black Girl Magic. “ Folks responded well to the post and most would be gone by the end of the day, so feeling encouraged by the response I decided to expand and I began to imagine what if someone else was running for president. So I put up little signs in Harlem around 125 street saying “Ida B. Wells for President” and it felt subversive because unlike the other take what you need posters, this was a little bit more politically overt and it was exciting! I also posted different “Black Woman for President” — some names controversial. I was asking my community to reimagine a new possibility, a different reality.And it continues to be exciting!
2) What were some of the books and other sources that you researched to help flesh out the project?
I read some biographies about Ida B. Wells and I watched some documentaries that focused on her life.A Passion for Justicewas the main documentary I watched along with several others as well. It was necessary to do the research to figure out what year she would have ran for President, who would have endorsed her, etc., etc. That part was fun and fascinating, and in the course of my research I found out some interesting facts about Ida that I was not aware of. For example, in the course of doing the research, I found out that she ran for Illinois State senate. She came in third, which is amazing, and so here I am thinking that I am reimagining some far out future when the truth is actually I wasn’t too far off at all — she did run for public office. It makes you wonder what other hidden histories are not known about Black Women in America.
3) What was the process like for creating the posters?
The process of creating the actual posters was a collaborative effort with Meghan Forbes (of Harlequin Creature) and Romeo Silvero*. Meghan Forbes did the research on finding the proper visual representation for the time period, which was important we wanted it to feel like something that you could have accidentally come across in history that you didn’t know existed. We wanted it to have that feel. The first printing we weren’t able to get the paper to look processed and old but we hope to have future presses have that feel. Cost was a huge part of the process and getting clearance for her visual image so what was done was a drawing was made of her likeness by Romeo Silvero.Romeo is a pre-teen and so it was amazing to have youth be involved in the process as well.
4) Do you plan on doing other black women as part of a series or expanding the project in another way?
I do plan on expanding the series and including other Black Women into the series. I also could see this branching out into merchandise that folks could purchase as well. The women that I am choosing to highlight are heroes and we each have our own personal hero that we will respond to. Black Women are the backbone of this country; its about time that we be seen as such.
5) How do you see your project as afrofuturistic?
I foresee this project as being Afro-Futuristic because we are imagining the past and creating an alternate reality in which these amazing black women were stepping up and tossing their proverbial church hat into the ring to run the United States of America, a country that historically has treated Black Women as a community that can be ignored and disregarded,as unfit to be leaders because of their race and their gender. However, in this alternate reality, they make the choice that their vision is exactly what America needs. That leadership is both black and woman and perfectly aligned to make this country step into the future.
6) Since this is Futuristically Ancient, how are you and your work both futuristic and ancient?
Well the future aspect I already discussed because I am reimagining an alternate reality in which these women ran for President of the United States. How my work is ancient is that the idea of a woman as a leader is something that was quite common in the ancient world. Black Women were leaders of nations during antiquity, and so I am paying homage to that, but also reimagining a different America in which this happened. What would this future look like? Feel like? How would it be like our current reality and how would it be different?
7) Where can the readers find out more about your work?
Readers can find my work on line on Instagram@youwannatellher. They can follow me on that page — that particular page is a visual expression of a collection of poems that I wrote that all begin with the title “You wanna Tell Her.”In addition, the Ida B. Wells posters are being sold at Sister Uptwon Bookstore, which is located at 1942 Amsterdam Avenue. It is a black woman-owned bookstore in the middle of Washington Heights. It was the perfect home for the posters.
Last week Sunday, I met with some members of the Black August Cocoon Collective that Ola Ronke of Free Black Women’s Library started for the month of August as a way to bring together a community of black woman to do a series of activities and rituals that will later result in us creating a zine.
Since the Sunday coincided with a new full moon in Leo, Ola had each of us pick a card from Earthlyn Manuel’s Black Angels Card deck. The card I got was the Joker. At first I thought that was strange because I don’t think I’m much of a funny person or a jokester, but I have been studying trickster archetypes and gods like Eshu/Elegba, I do love word play when it comes to my writing practice and as the book explanation says, I seem to have a liveliness that attracts others to me.
Take a look at the card and read the description for it (click on the pictures for full size):
Last weekend, I attended theBankra Caribbean Festivalproduced by Braata Productions and Andrew Clarke. One of the draws of the festival was looking at the cultural exhibit of puppets made in the image of popular Caribbean folklore characters, including the Soucouyant. Mama D’Leau, the Douens (Dwens), the Moko Jumbie, Papa Bois, and Anancy (Anansi). The slideshow is below with the artwork and the descriptions are after: