So as you know a few weeks ago I had the opportunity to be part of the Black Speculative Arts Movement Conference, #BSAMFuturismo2017, at the Bronx Museum of Arts! Well, let me share with you some of the highlights from the day!
*Aesthetics and Actions in Afrofuturism/Black Speculative Thought:
Before I get to the above topic, I wanted to share this film that I had the chance to see —Òrun Aiyê, which was directed by Jamile Coelho and written by Cintia Maria. It is a stop-motion animated film that tells a candomble version of theYoruba creation story.
Since tomorrow I will be moderating the Astro-Caribbean panel, Midnight Robber Chronicles, which was inspired by Nalo Hopkinson’s speculative novel Midnight Robber, I thought I’d share an a British artist whose work centers on exploring the significance of Caribbean carnival.
According to Trinidadian/Irish- British artistZak Ove, Caribbean carnival, especially those in Trinidad, started as a mockery of European colonialists, but then became a declaration of “we can be anything” and “not just what we’ve been duped” into believing we are by these colonialists. It became an investigation through transfigurement and costume into all kinds of mythologies and into a sense of Africanism that had been subdued and suppressed through slavery.
I am happy to announce that I will be moderating a panel Black Speculative Arts Movements conference on April 22nd at the Bronx Museum of Arts. The panel is the first in the Astro-Caribbean series.
According to the founders of BSAM, “Black Speculative Arts Movement, aka BsaM, is an annual Afrofuturism, black comics, and arts convention held at multiple colleges and universities throughout the United States.BSAM encompasses different positions or basis of inquiry: Afrofuturism, Astro Blackness, Afro-Surrealism, Ethno Gothic, Black Digital Humanities, Black (Afro-future female or African Centered) Science Fiction, The Black Fantastic, Magical Realism, and The Esoteric.
Our annual conventions, co-founded by associate professor and chair of the Humanities department at Harris-Stowe State University, Reynaldo Anderson, and founder of Midwest Ethnic Convention for Comics and Arts – MECCA, Maia Crown Williams, will include vending from a vast amount of comics, art, and artisan creators and vendors, live performances, a full international film festival via MECCAcon, afrofuturism, social activism, and comic centered seminars, classes, hand on workshops, plays, and much more. Students are also welcome to submit proposals to participate as well. We also heavily encourage schools to attend in groups.”
This conference is named #BSAMfuturismo2017 and you can buy tickets here. Read below the panel description and the panelists who will be joining me!
I learned a lot at my first Blogging While Brown conference, so I wanted to share some of what I learned and have done already:
The opening keynote from Markus Robinson of Interactive One opened my eyes to several new ways to gather traffic and reach out to a large audience. Some of his advice included besides social media sharing and guest blogging were to put your blog in your email signature (which I do), post on Craigslist, answer questions on Quora, post SlideShare presentations and update Wikipedia pages. So far, I have placed my blog in the external links on the afrofuturism page.
Eric Ries’ The Lean Startup was a book frequently mentioned at the conference and Robinson used the lean marketing loop points – acquisition (get viewers to site), activation (join/buy), retention (come back), and referrals (other people join) – and tools to use to help to do it:
For email lists – Mail Chimp or Constant Contactor
Program interruption: This is my entry for Blogging While Brown scholarship.
My blog, Futuristically Ancient, has been running for a little over two years. I started blogging a couple of years before that as another way to express myself, since I am not much of a talker. As for this blog, I started it after watching a clip of John Akomfrah’s The Last Angel of History; I thought it did a great job of connecting pasts, presents and futures, which was already one of my interests. Later on, I found out about afrofuturism, reigniting my interest in science fiction and fantasy, and declared that as the focus of my blog.
While this blog started as a side things for fun, I do want to be more serious about how to expand it and connect with others. But I am slightly introverted and shy, as Stacia L. Brown said in her post, so networking is not that easy for someone like me. Blogging While Brown, which will be in my home city this year and would be my first time attending, seems like a great opportunity to meet other bloggers and learn from the more advanced and professional bloggers their tricks and techniques, since I am still somewhat of a newbie.
Hello everyone, I’m back! With my return, I will be posting at a later time (8:00pm) and for the next couple of weeks, the blog will have a Caribbean afrofuturist focus, especially since I wrote a piece for Africa Is Done Suffering about a need to highlight more of Caribbean experience into diaspora (and in this case, afrofuturist) conversation.
First, here is Nigerian-born, Jamaican-raised scholar and writer, Louis Chude-Sokei, reading about the story of PT Barnum and Joice Heth from The Last Darky: Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora (Williams was Antiguan, by the way). The reading was at the Plummeting Appliances, Dying Verbs, Enslaved Automatons fiction forum at 601 Artspace in New York City earlier this year. Chude-Sokei reads about PT Barnum and his early show that featured Joice Heth, an elderly slave, and the turk chess machine. He uses the story to discuss the intersections between the use of deception in modern media, othering/objectification/exploitation of race and ethnicity, and the presence of robotics/machinery to question what is human.
* Kickstarter campaign for animated series, Spider Stories, pilot. Here is the synopsis:
Spider Stories follows the tale of Princess Zahara who is thrown into hiding after the royal family is overthrown by a corrupt neighboring kingdom. While traveling with a misfit caravan of merchants she meets a wandering drummer griot who introduces her to the spirit world. Armed with a mystical staff, the fearless princess embarks on quest to reconnect with the spirits, reunite her homeland, and reclaim the throne.