Category Archives: Modern Griots

M.G. Spotlight: Genius Is Common


I was reading Albert Camus’s famous lecture, “Create Dangerously,” when I came across this sentence: “A man’s obedience to his own genius,” Emerson says magnificently, “is faith in its purest form.”

Bruce George, originally of Def Poetry Jam, has led the way for a new movement called Genius Is Common.

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M.G. Reviews: Rasheedah Phillips’ The Telescoping Effect


telescopingeffecteclipsecoverupdatedversion1-26-17_201_400sqOne of my favorite mottos is to find the magic in the mundane because in doing so you realize how interdependent we all are to each other and to the universe. When we look at the sun and moon, we are so normalized to them that we can easily forget how we are dependent on them for our existence and how much they shape our existence. It has been our ability to use our imagination to see the world beyond the mundane and search for knowledge and meaning as well as our creation of technologies to observe the universe that has allowed us to see that. As I was reading Wendy Hui Kyong Chun’s “Race is/as Technology, or How to Do Things to Race,“she writes that “According to Martin Heidegger in his 1955 ‘The Question Concerning Technology,’ the essence of technology is not technological. Indeed, by examining tools, we miss what is essential about technology, which is its mode of revealing or “enframing.” So how does the creation of technologies to look and observe also reveal ourselves? Who is watching who and who is creating who at the same time?

Warning: some spoilers ahead!

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M.G. Reviews: Kiini Ibura Salaam’s “When the World Wounds”– Breaking Open the Boundaries of Self


 

9780991336159-frontcoverWho we think we are is a fluid concept. We might have a stable image of ourselves but in reality we are constantly in flux as we come into contact and collide with others. And it’s not just other bodies but other possibilities of your self that disrupts who you are at this moment. The realization that we can be something else we don’t recognize or can’t control can be transcendent and can be frightening.

Kiini Ibura Salaam explores those ideas in her latest speculative short story collection, When the World Wounds, where the outside forces of the world can break open spaces that lead to the displacement and reconstructing of the body, of the self, of identity and place. Salaam’s main grounding tool in that exploration is that of the concept of desire. Through her sensual and erotic descriptive language, as a reader you are opened up as much as the characters in her stories to the point of an ecstatic experience.

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M.G. Reviews: Whitehead’s The Underground Railroad and The Traveling Theater of History


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Happy Black Speculative Fiction Month. This month I will post reviews and lists of black speculative works that I’ve read recently. By the way, please support my Go Fund Me as I raise money to get a new laptop and continue building my writing career. Here is my review of The Underground Railroad:

It is 2016 and although times have changed, sometimes it feels like deja vu when I see one after another incidents of state-sanctioned violence and injustice done towards black people. Sometimes I wonder if things are for certain changing or just changing costume and name, that time is just changing its face and the past and present are collapsing in on each other. Our concept of freedom shapeshifts as much as the injustice and violence; with every change in environment; it is another way we have to adapt and strategize on how to fight back.

Continue reading M.G. Reviews: Whitehead’s The Underground Railroad and The Traveling Theater of History

M.G. Reviews: “Yabo” and The Possibilities of Black Love


yabo_cover_lores_large1Happy Black Speculative Fiction Month. This month I will post reviews and lists of black speculative works that I’ve read recently. By the way, please support my Go Fund Me as I raise money to get a new laptop and continue building my writing career. Here is my review of Yabo:

A few months ago, I read Jacqueline Johnson’s poetry collection, A Woman’s Season, and one of my favorite poems from the book was “Revival at the Black Erotic Church” and two of the lines I cherish is “We welcome our imaginations/back into our souls.” Those lines are how I felt reading Alexis De Veaux’s book, Yabo. If the Black Erotic Church existed as an institution, this should be one of its religious texts.

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M.G. Recap: The Legacy of Octavia Butler


51svc6qifblAs a speculative fiction author, Octavia Butler broke new grounds in the genre, going beyond the patriarchal Eurocentric and white supremacist framework of a lot of early speculative fiction. In her novels, she explored underrepresented topics like the continuing impact of American slavery and racism on black bodies and minds and larger society, and the seeds of late capitalism leading to dystopia. She also gave us stories from the perspective of black people, specifically black women (herself being a black woman writer), something that was rare in these genres.

Last Sunday, I attended Brooklyn Book Festival and the panel, “The Legacy of Octavia Butler,” featuring author Ytasha Womack (Afrofuturism: The World of Black Sci-fi and Fantasy), author Daniel Jose Older (Shadowshaper), artist John Jennings (Kindred: A Graphic Novel Adaptation) and author Ben Winters (Underground Airlines). Each panelist talked about the mega influence of Butler on their work and what was possible to write about and focus on in speculative fiction. Like me, all the panelists wished they found out about her work earlier because her work validated them and the truths of our histories and realities in ways other novels in the same genre did not. As Jennings expressed, Butler’s skill was destabilizing the stereotypes and categories that we place on ourselves and others; she was centered on exploring the liminal spaces and identities. Butler herself didn’t fit the stereotypes of a typical black woman — she was reclusive and reserved, and she was willing to go into and engage with spaces that others did not dare.

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Modern Griots Recap: Poetic Fragments from “Black Magic: Afro Pasts/Futures”


Yesterday was the anniversary of Nat Turner’s rebellion, and with the growing controversy surrounding the film due to Nate Parker’s rape trial from 17 years ago, my desire to watch the film has been mostly vaporized. But last weekend as I went through my photos, I came across Delphine Fawundu’s “Mende Woman on Nat Turner Plantation” and the other artworks exhibited at the Black Magic: Afro Pasts/Futures exhibition in May. Looking at the art again inspired a new set of poems from me (in addition to Beloved, which I read in full last week). Read the poetry and take a look at some of the art below:

This collection of poems is called, Black: Where Past and Future Become One; Where Magic Is Birthed.

Continue reading Modern Griots Recap: Poetic Fragments from “Black Magic: Afro Pasts/Futures”