Black Superheroes + Black Leadership + The Responsibility of Building Societies in World-Changing Times
Last week I had the privilege to see three films — of course, Black Panther, Canadian filmmaker Sharon Lewis’ Brown Girl Begins inspired by Nalo Hopkinson’s book, Brown Girl in the Ring, and Martinique-based filmmaker Khris Burton’s S0.CI3.TY.
Happy Black History Month, or Black Futures Month, depending on who you ask! 2018 is off to a great start for Futuristically Ancient! See the news below:
*The Afrikan Poetry Theatre is hosting Past, Present and Futurism at the Museum of the Moving Image on February 24th from 2pm-6pm. The day includes film screenings, such as the Ethiopian sci-fi film Crumbs, and a panel discussion, “Afro-futurism: The History & Future of Black Science Fiction,” featuring graphic artist Tim Fielder, filmmaker Mike Sargent, filmmaker M. Asli Dukan and yours truly! Also a special award will be presented to Octavia Butler! RSVP here!
Happy New Year to you all! I hope 2018 will be a year full of blessings for everyone and thank you for staying with me on this journey!
I’m looking forward to a year filled with magic and to start, next Tuesday at 8pm, I will be on the radio show Exceptional Scribble with Francine Elizabeth Natal (Sage the Poet). The topic will be: “Fiction Poetry with an infusion of Ancient African relics; celebrating culture to promote self-esteem.” You can listen to the show and call in to ask questions here. I hope you are able to join us!
With everything happening in the news that frightens me about the future of this country and world, I turn back again to the importance of the archive, storytelling and truth-telling for marginalized communities. Last month, I went to archivist and writer Joyce LeeAnn and researcher and writer Akeema-Zane’s workshop In the Middle of Things: The Poetics of Archival Praxis, which was part of Pioneer Works’ series Fact Craft.
Etymology of Legacy: late 14c., legacie, “body of persons sent on a mission,” from Medieval Latin legatia, from Latin legatus“ambassador, envoy, deputy,” noun use of past participle of legare “send with a commission, appoint as deputy, appoint by a last will” (see legate).
Can the archive be our arsenal and the archivist our warrior in this current war on memory and information? As ambassadors of the black archive, what stories are we sending out and leaving behind? Going in October and last month to the Weeksville Center’s The Legacy Project and their events centered around black archival work and memory reinforced that for me. The Legacy Project is “a continuum of James Weeks’ self-determining actions.” James Weeks, a freedman, purchased land in Brooklyn during the pre-Civil War era and with that land created what became the second largest known independent Black community in the U.S. Under threat of being forgotten, “in 1968, a small group of community activists rediscovered these four dilapidated houses that were rare residential remnants of historic Weeksville. Its rediscovery led to the restoration of the Hunterfly Road Houses, and the formalization of the Society for the Preservation of Weeksville and Bedford-Stuyvesant History, later known as Weeksville Heritage Center.” “The Legacy Project will continue this evolution through activating WHC’s archives, building annual public programs, public training workshops, and an internship program for students of color” interested in archival work.
With issues like gentrification and displacement of marginalized communities as well as the redevelopment of the Jamaica/Southeast Queens area, those of us who are from the area have a lot to think and worry about. What does the future of the neighborhood look like for us? Local design student, Sada Spence, who lived in Southeast Queens, decided to start a project series, called DARK, where local community members could discuss the future of the African diaspora.