So as you know a few weeks ago I had the opportunity to be part of the Black Speculative Arts Movement Conference, #BSAMFuturismo2017, at the Bronx Museum of Arts! Well, let me share with you some of the highlights from the day!
*Aesthetics and Actions in Afrofuturism/Black Speculative Thought:
Before I get to the above topic, I wanted to share this film that I had the chance to see —Òrun Aiyê, which was directed by Jamile Coelho and written by Cintia Maria. It is a stop-motion animated film that tells a candomble version of theYoruba creation story.
Since tomorrow I will be moderating the Astro-Caribbean panel, Midnight Robber Chronicles, which was inspired by Nalo Hopkinson’s speculative novel Midnight Robber, I thought I’d share an a British artist whose work centers on exploring the significance of Caribbean carnival.
According to Trinidadian/Irish- British artistZak Ove, Caribbean carnival, especially those in Trinidad, started as a mockery of European colonialists, but then became a declaration of “we can be anything” and “not just what we’ve been duped” into believing we are by these colonialists. It became an investigation through transfigurement and costume into all kinds of mythologies and into a sense of Africanism that had been subdued and suppressed through slavery.
I am happy to announce that I will be moderating a panel Black Speculative Arts Movements conference on April 22nd at the Bronx Museum of Arts. The panel is the first in the Astro-Caribbean series.
According to the founders of BSAM, “Black Speculative Arts Movement, aka BsaM, is an annual Afrofuturism, black comics, and arts convention held at multiple colleges and universities throughout the United States.BSAM encompasses different positions or basis of inquiry: Afrofuturism, Astro Blackness, Afro-Surrealism, Ethno Gothic, Black Digital Humanities, Black (Afro-future female or African Centered) Science Fiction, The Black Fantastic, Magical Realism, and The Esoteric.
Our annual conventions, co-founded by associate professor and chair of the Humanities department at Harris-Stowe State University, Reynaldo Anderson, and founder of Midwest Ethnic Convention for Comics and Arts – MECCA, Maia Crown Williams, will include vending from a vast amount of comics, art, and artisan creators and vendors, live performances, a full international film festival via MECCAcon, afrofuturism, social activism, and comic centered seminars, classes, hand on workshops, plays, and much more. Students are also welcome to submit proposals to participate as well. We also heavily encourage schools to attend in groups.”
This conference is named #BSAMfuturismo2017 and you can buy tickets here. Read below the panel description and the panelists who will be joining me!
We have come to the end of the year 2016. It has been a year filled with loss and with the unbelievable happening, but it has also been a year filled with amazing opportunities and door openings. 2017 is a year coming in like a lion’s roar and our futures seem uncertain, but let us go forth together, facing our fears and welcoming the new opportunities that will be opened with the seismic changes coming our way.
I will leave you with a few visionary artists I learned about during my trip to Barbados and hopefully they will inspire you as we head into the new year. I will see you all in 2017!
Nakazzi Hutchinson is a sculptor, painter and interior designer who is of both Jamaican and Barbadian heritage. She creates life-sized figures and masks out of organic materials. As she said in her artist statement:
Hello! Welcome back to my Astro-Caribbean series with a double dose of Space:Queens for you! Last week, I had artist Shervone Neckles and now I present to you Damali Abrams! Damali is a talented visual artist, writer and herbalist, who is using her talents to help to heal the world. Enjoy my interview with her below:
1) Tell the readers a little bit about yourself.
I am Damali Abrams the Glitter Priestess. I make art and herbal remedies.
My work is about healing and transcendence, as well as creating a space of liberation for the Black imagination.
2) As a visual artist, tell us about the transformative power of image.
I’m a visual thinker as well as a writer. There are certain ideas that I can only express as images, others only as words.
Our culture does not value visual art as much as it does writing but the things that we see affect us so deeply on a subconscious level, in ways we often don’t even realize. Images are very powerful and can be extremely transformative. The things we see most often profoundly affect who and what we become.
Hello Everyone! I am back from my Barbados trip, where I learned a lot about the country, including finding out about some great visionary artists and creatives there. Speaking of visionary artists, below is my interview with Queens-based visual artist, educator, and community activist Shervone Neckles whose work looks at the intersections between science, nature, art, story and community. I hope you have enjoyed my Astro-Caribbean series for the past few weeks and although I am back, I will continue it for a week or two, including some of the artists I found out about in Barbados. Stay tuned!
“I’m fascinated with the idea that the source of one’s healing and nurturing can also be the source of one’s pain and suffering…”
1) Tell the readers a little bit about yourself.
I’mShervone Neckles, an interdisciplinary artist, educator, community worker and art administrator. I am a first generation Caribbean-American raised in East Flatbush Brooklyn to Grenadian parents. My work weaves together concepts of nature and science with objects and practices rooted in Afro-Caribbean tradition.The art objects I make (book arts, printmaking, sculpture and multi-media techniques) are part of my ethnographic study on the social meaning of beauty, identity, and cultural authenticity within black womanhood.
In addition, my practice includes social experiments and curatorial projects that explores the commonalities, differences, contradictions, continuities and the many possibilities of cooperative learning and civic responsibility. I believe this exchange between community and artist is crucial to our ability to protect, preserve and make change where we live, work and practice from an informed and respectful place.
Since I’m in Barbados with my mother for Barbados’ 50th Independence Day Celebration, I thought I should share a children’s story I had been working on inspired by my mother and Barbados culture. I wanted to write a kind of Bajan Cinderella story after hearing about my mother’s childhood and learning more about the culture in Barbados, like Crop Over festival and costumed characters like Mother Sally.
The story’s title and main character is Jenny, a shortened version of my mother’s name. Jenny lives with her aunt Sheila and three cousins who treat her unfairly and have left her behind to go to the Crop Over Festival. After they leave, Jenny is introduced to a new woman coming up the road named Mother Sally.