Last week Sunday, I met with some members of the Black August Cocoon Collective that Ola Ronke of Free Black Women’s Library started for the month of August as a way to bring together a community of black woman to do a series of activities and rituals that will later result in us creating a zine.
Since the Sunday coincided with a new full moon in Leo, Ola had each of us pick a card from Earthlyn Manuel’s Black Angels Card deck. The card I got was the Joker. At first I thought that was strange because I don’t think I’m much of a funny person or a jokester, but I have been studying trickster archetypes and gods like Eshu/Elegba, I do love word play when it comes to my writing practice and as the book explanation says, I seem to have a liveliness that attracts others to me.
Take a look at the card and read the description for it (click on the pictures for full size):
Although I tried not to add onto the dozens of think pieces that are already out there about Beyonce’s latest video, “Formation,” sometimes I like to jump on the bandwagon to either use it momentarily like a free ride to a needed destination or to veer it off into my own direction.
The video has opened the door for much conversation and possibility of new connections, which to me is the main benefit of it, and there has been valid thoughts on all sides about it from the possible meanings of itssymbolic artistic imageryand bringing some focus to black cultures that often have been forgotten, marginalized or denigrated, even by black people themselves, to the critiques that highlight the problematic centeringof a cis-gendered, non-queer, high class, wealthy, light(er)-skinned, thinner celebrity against the marginalized realities of poorer, lower-class, heavier-set, darker-skinned, queer and transgendered people. Looking at the video and listening to the lyrics, it is difficult to ignore its use of Western capitalistic and white-centric measures of power, including Givenchy and Bill Gates, and their stark contrast against the images of disasters that affected those marginalized communities and black traditions that helped us to survive the violence and trauma created by the former. It does appear on the surface to be a form of capitalist opportunistic exploitation, appropriation and a softer silencing/erasing of marginalized cultures despite the “inclusion” of their imagery.
But as a creative writer/artist myself, I tend to look at culture and imagery more ambiguously. In trickster philosophy, various contradicting realities and meanings exist at once; we all wear various conflicting masks to negotiate with and maneuver through society at large. At the end of the day, Beyonce is a pop artist, not an activist per se, and just as I can learn and be inspired by various sources, I can be inspired by her work and apply it back to my own work.
Certain aspects of “Formation,” and responses to them, kept stirring thoughts in my mind, especially in relation to recent posts I had on this blog. Not saying all the thoughts below went through Beyonce’s mind, but these are the thoughts her video inspired in me. Let us look beyond Beyonce because it, for me, is not about her but the larger symbolism and archetypesthat are part of human psyche and social cultures.