For the second to last Astro-Caribbean post for this month, I am featuring Caribbean authors and their books!
I was unfortunately unable to attend Word!: A Caribbean Lit Fest on June 11th, but I did read through the authors and panels and saw that a few of them who have recently released works of fantasy, magic realism or other related kinds of imaginative/visionary themes. Adding to my list of books to read!
Summary: When her village is raided, a teenage girl finds herself on a brutal journey to the coast of Africa and across the Atlantic. Her only comfort is a small child who clings to her for protection. But once they board the slave ship, the child reveals her rebellious nature and warns that her mother—a fierce warrior—is coming to claim them all.
Since tomorrow I will be moderating the Astro-Caribbean panel, Midnight Robber Chronicles, which was inspired by Nalo Hopkinson’s speculative novel Midnight Robber, I thought I’d share an a British artist whose work centers on exploring the significance of Caribbean carnival.
According to Trinidadian/Irish- British artistZak Ove, Caribbean carnival, especially those in Trinidad, started as a mockery of European colonialists, but then became a declaration of “we can be anything” and “not just what we’ve been duped” into believing we are by these colonialists. It became an investigation through transfigurement and costume into all kinds of mythologies and into a sense of Africanism that had been subdued and suppressed through slavery.
I am happy to announce that I will be moderating a panel Black Speculative Arts Movements conference on April 22nd at the Bronx Museum of Arts. The panel is the first in the Astro-Caribbean series.
According to the founders of BSAM, “Black Speculative Arts Movement, aka BsaM, is an annual Afrofuturism, black comics, and arts convention held at multiple colleges and universities throughout the United States.BSAM encompasses different positions or basis of inquiry: Afrofuturism, Astro Blackness, Afro-Surrealism, Ethno Gothic, Black Digital Humanities, Black (Afro-future female or African Centered) Science Fiction, The Black Fantastic, Magical Realism, and The Esoteric.
Our annual conventions, co-founded by associate professor and chair of the Humanities department at Harris-Stowe State University, Reynaldo Anderson, and founder of Midwest Ethnic Convention for Comics and Arts – MECCA, Maia Crown Williams, will include vending from a vast amount of comics, art, and artisan creators and vendors, live performances, a full international film festival via MECCAcon, afrofuturism, social activism, and comic centered seminars, classes, hand on workshops, plays, and much more. Students are also welcome to submit proposals to participate as well. We also heavily encourage schools to attend in groups.”
This conference is named #BSAMfuturismo2017 and you can buy tickets here. Read below the panel description and the panelists who will be joining me!
Recently I’ve been reading Tracey Baptiste’sYA book, The Jumbies, which is a supernatural fantasy book that takes place on the island of Trinidad. I won’t give away what the book is about; instead I suggest for you to go read it, but I will tell you that one of my favorite characters is the witch because she is truth teller. Here is a poignant passage I resonated with and that I believe is relevant for now:
“Everybody thinks they need magic. Everybody wants answers. Get rid of this boil. Help me find money. She doesn’t love me anymore. Why won’t my cane stalks grow tall as my neighbors? Everybody wants a fast, easy solution. Maybe if you took care of you’re skin, you wouldn’t have gotten the boil in the first place. Maybe if you worked harder you would make more money. Maybe that person isn’t the right one for you. Maybe if you found a better way to farm, your crop would come up better. But nobody wants to hear those things. They want a bottle. Instant success! Something to drink, or sprinkle, or spill on the ground. They want magic from nothing. Magic doesn’t come from nothing. It comes from somewhere. And it isn’t so extraordinary. It’s just work. It’s just using your head and your heart.”
In many ways, the indoctrination of an instant gratification culture obsessed with instant power, wealth and fame is part of the blame to how we got to this point. Let us learn, as Baptiste teaches us in The Jumbies, that to create true change and to fight back, we must trust our true instincts, understand our connection to the earth and that doing real magic takes work.
We have come to the end of the year 2016. It has been a year filled with loss and with the unbelievable happening, but it has also been a year filled with amazing opportunities and door openings. 2017 is a year coming in like a lion’s roar and our futures seem uncertain, but let us go forth together, facing our fears and welcoming the new opportunities that will be opened with the seismic changes coming our way.
I will leave you with a few visionary artists I learned about during my trip to Barbados and hopefully they will inspire you as we head into the new year. I will see you all in 2017!
Nakazzi Hutchinson is a sculptor, painter and interior designer who is of both Jamaican and Barbadian heritage. She creates life-sized figures and masks out of organic materials. As she said in her artist statement:
Hello! Welcome back to my Astro-Caribbean series with a double dose of Space:Queens for you! Last week, I had artist Shervone Neckles and now I present to you Damali Abrams! Damali is a talented visual artist, writer and herbalist, who is using her talents to help to heal the world. Enjoy my interview with her below:
1) Tell the readers a little bit about yourself.
I am Damali Abrams the Glitter Priestess. I make art and herbal remedies.
My work is about healing and transcendence, as well as creating a space of liberation for the Black imagination.
2) As a visual artist, tell us about the transformative power of image.
I’m a visual thinker as well as a writer. There are certain ideas that I can only express as images, others only as words.
Our culture does not value visual art as much as it does writing but the things that we see affect us so deeply on a subconscious level, in ways we often don’t even realize. Images are very powerful and can be extremely transformative. The things we see most often profoundly affect who and what we become.