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Moving on the Wires: 2 Years+Break, RebelMatic, Deluge Trailer, Meridian, Tawiah, Tar Baby Jane


*Today is my the anniversary of the day I started this blog, which was two years ago, and I am going to take a small break (maybe a week or two) to celebrate.

Running this blog by myself can be tiring sometimes and so I should do this so i don’t tire myself out. I will still post things on facebook and twitter and will repost older posts on there as well.

Thanks everyone for your support for the past two years!

*

Rebelmatic – “Mirror”

The second single from their upcoming Elephant Amnesia album, gives forceful and memorable vocals and music to encourage people who feel as if they don’t fit in to just look at themselves.

*

The trailer for director Nijla Mu’min upcoming Deluge film. Here is the synopsis:

After witnessing the mass drowning of her friends and struggling with the decision not to jump in, 15-year old Tiana must decide if she will join the order of black mermaids that protect the waters where her friends rest. This film is partly inspired by the 2010 mass drowning of six black teens in a Shreveport, Louisiana sinkhole. None of them could swim. The film blends coming of age drama and fantasy to explore traumatic memory in a post- BP oil spill New Orleans.

Deluge layers personal, historical, and environmental trauma into an intimate portrait of female teenage awakening and realizations about mortality and fate. Through the merging of subtle moments and emotion, we find each character on edge in some way; on the edge of teen sexual discovery, on the edge of life, and on the edge of a dual existence between two worlds.

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Modern Griots Reviews: Tongues of Fire and Erykah Badu


Sekou Sundiata – “Space”

Last weekend, I attended the Tongues of Fire tribute to Sekou Sundiata at the Apollo and I must say it was a beautiful, stirring and electrifying tribute. Curated by musical director Craig Harris, the show included his band Nation of Imagination as the musical background as for a few moving musical numbers, some with lyrics written by Sundiata and sung by the three singers of the band (“Song for a Friend,” “I Found God,” “The Writer,” The Sea.”). The other performances were a mixture of spoken word performances of works from Sekou Sundiata and Amiri Baraka arranged with music as well as performances from The Last Poets member Abiodun, rapper Rakim and Nigerian artist Wunmi.

The show opened with poet Liza Jessie Peterson reading “Urban Music” from Sundiata’s album Long Story Short and continued with Amiri Baraka’s “In the Tradition” and “Something in the Way of Things,” the humorous critique of today’s hip-hop with Abiodun and Rakim, “Some of It’s Hip, Some of It’s Not,” and ended the first part with Sundiata’s “Sound of Memory” and a funky “Blink Your Eyes” with Vernon Reid and all the performers.

The second half of the show began with Ngoma Hill’s reading  his yoruba-inspired poem, “Poem for My Egun,” leading to a cacophony of poems and music with Peterson, Baraka, and Abiodun performing together “Reparations,” and “Whys.” Wunmi grooved on stage, even getting down with Harris, during the performances of  wish-to-return home “The Healing Song” and Baraka’s recitation of Sundiata’s “Space.” Rakim was brought back out to finish the night with his classics, like “The 18th Letter,” bringing the night packed already with so much to a full-circle.

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Black Girls/Black Women Are from the Future: Q.U.E.E.N., Black Girls Code and MBIB


Janelle Monae’s “Q.U.E.E.N.” featuring Erykah Badu. This song is a much better anthem than, dare I say, “Run the World (Girls).” It is funky and fierce with thoughtful commentary about those who judge and put others down. Check out Monae interview yesterday on 106 and Park.

Black Girls Code Trailer — the short film about the Kimberly Bryant’s San Francisco organization, and directed by Shanice Johnson will be shown at the Cannes Film festival this month. The organization is also developing a web-series and a feature.”

My Black is Beautiful trailer for Imagine A Future documentary, which will be released in July on BET (it showed with the Tribeca Film Festival last month), is part of the Imagine a Future initiative that began last year with Black Girls Rock and United Negro College Fund to open up a dialogue with young black girls about self-acceptance, beauty and empowerment. The film follows Janet Goldsboro trip to South Africa as she learns to accept herself as a beautiful. However, although I think this is a nice effort and I want to see it, I find it problematic that Procter and Gamble supports the film and My Black is Beautiful, but also sells “skin lightening” creams all over the world (read all the articles here). Hmmm? Some people say that these are only skin tone evening creams, but is that how they are marketed or used? I imagine a future where companies actually do make a legitimate effort not to make money off our low self-esteem, not seem to support something to assuage their guilt (but should I expect companies not to be hypocritical in their actions?)

 

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Basic Instructions Before Leaving Earth: My Poetry 4


This is the last day of National Poetry Month and I wanted to share a couple of the poems I wrote for the NaPoWriMo challenge this month:

Prosthetic Conscience

We are the abominations:

_

And like a bomb in nations

We go off as we enter their spaces

_

The sight of us

Blowing off their heads

Leaving them in critical

Ignorance

_

They replace heads

With clouds in metal cages,

Find minds in pages of a man-made

Book wrapped around the bars

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Like babbling newborns barely knowing

The universe, let alone the world,

Let alone themselves, they scream smoke

Of fiery fear from their lungs:

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“You are the curse of Ham!

You are a witch; you must

Be silenced! You are the fire

and brimstone raining down

on Sodom and Gomorrah!”

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We are the aliens in our spaceship

Coming down to see the unbelievable –

Those who never explored

The space around them

_

Pitying their smallness

The bodies without heads

Who refuse to see the magic

In our eyes.

Tribute to Angela Davis (cinquain)

Girl Black

Explore yourself

Halo hair spout wisdom

With fist rising like a fired

Rocket

 

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Modern Griots Reviews: Futurist Film Showcase


When I first heard that the Black Radical Imagination were showing their Futurist Film Showcase at The Meat Market in Brooklyn, at first I was a little suspicious. Turns out, it’s a clothing boutique with a strange name and nice items. But anyway, I did enjoy the showcase, which for me was a selection of seven films I already saw and an introduction to new films I did not.

The curators Erin Christovale and Amir George decided to do the showcase after noticing several independent filmmakers who were creating space or fantasy-themed films. Below are my short descriptions and links to websites of each presented film and filmmaker:

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Basic Instructions Before Leaving Earth: Napo Masheane


Source: Arts Review

As a poet, I am always looking for new poets to love, and I came across South African poet,  playwright, director, and producer Napo Masheane on Poetry Potion (their latest issue, On Being Human). Masheane’s poetry has a magical and mythical feel to them as she writes about black women and her own heritage. Her books are Caves Speak in Metaphor and Fat Songs for My Girlfriends. She has also written plays about body image and wanting to change the preconceptions about black women and their bodies, including My Bum Is Genetic Deal With It and Fat Black Woman Sing. Read her interview from Word N Sound and some of her poems below:

SAMBURU ‘My People”

We are travellers
We carry our names
With the beat on our feet
Re Barolong, Bakoena, Batlhaping,
Bahlakwana le Bakgatla
We are Samburu north butterfly

I stand on the backs
Of those who are called Bakganka
Singing songs that the rains and the winds
Never whispered to dinoka.
Badimo baka waiting to be praised
With the buzz of the bees,
The beats of the drums
They chant to my unsaid choruses.
I stride on shoes of giants,
Creating the legacy of their conquest,
Embracing their names in verse,
Reflecting their voluptuous looks on lakes,
Pulling their strings from Khalagadi,
Placing them on borwa ba AFRICA

Tshika ngwe ya rona comes from the reeds
They have built Maluti Mountains with their hands
Beautifully, engraved their narrations on sunburnt hills
Leaving their birthmarks on olive caves

We are Samburu north butterflies
Glittering with diamonds attached to our wings
Living after ancient tales,
Our souls are wrapped
In long wedding shawls,
We the wise ones speaking in riddles,
Where our words pass through
Village gossips, metaphors,
Our lands marked by chocolate pebbles
And pale skies
These lands where warriors glide
Effortlessly over rocks.
Striding easily across long life distances

My people have placed graves of their Kings
On top of Thaba Bosiu
They have shaped thorns
To protect their languages
Allowed their spears to rise in anticipation
To create the intimate magic.

And in the night of wisdom,
We sing in puzzles
We come out of our cocoon like little babies covered with life,
We jump like butterflies that have reached their glory,
Our sounds, travel far on the still air
Of story telling and spell dances.
We sleep with darkness calling our names.

At dawn the rays of the rising sun
Kiss our lips
As Virgo the morning stars make out our names

We are Samburu north butterflies
Stringing cords from our ancestors’ guitars
Moving with songs of time
As the meadow carries our fairy-tales
Reitea Kosha, retswa ka pina
As the forest echoes our clan names.
Our tongues recite clicking sounds of the desert
We the Sand people
Constantly in search of the grazing sun
Our red veins mark the soil
The spilt blood of our warrior-ship
Dances with the safari snakes

We are Samburu north butterflies
Our roots are rooted in Leole Mountains
We are calling out Thobela Sekhukhune
Mampuru Mopedi Moholo
Moshoeshoe moshoashoailana
Re Barolong, Bakoena, Batlhaping, Bahlakwana le Bakgatla
Hotswa mosi oya thunya
Re Bo Mankurwane le Bo Manthatisi
We are merely travellers
Carrying our names
With the beat on our feet
We chant and chant Freedom

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Moving on the Wires: Afrofuturism 2.0 Call for Papers, Janelle Monae + Erykah Badu, Kelis


*Call for chapters for an anthology on Afrofuturism 2.0:

"We are soliciting scholarly research, theoretical essays, and applied
studies that explore how the concept of Afrofuturism is related to
Africana Studies for an anthology...Authors are to submit a 250-300 word abstract 
for consideration by the editors by June 10, 2013. Authors of accepted 
abstracts will be notified by July 10. Final submission will be 
due by October 30, 2013."

For more information on essays wanted, click here.

*Here are two new funky tracks from Janelle Monae and Kelis:

Janelle Monae and Erykah Badu – “Q.U.E.E.N.”

Kelis – “Call On Me”

 

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