Tag Archives: Caribbean

Astro-Caribbean: Blast off to the Future


We have come to the end of the year 2016. It has been a year filled with loss and with the unbelievable happening, but it has also been a year filled with amazing opportunities and door openings. 2017 is a year coming in like a lion’s roar and our futures seem uncertain, but let us go forth together, facing our fears and welcoming the new opportunities that will be opened with the seismic changes coming our way.

I will leave you with a few visionary artists I learned about during my trip to Barbados and hopefully they will inspire you as we head into the new year. I will see you all in 2017!

Nakazzi

 

Nakazzi Hutchinson is a sculptor, painter and interior designer who is of both Jamaican and Barbadian heritage. She creates life-sized figures and masks out of organic materials. As she said in her artist statement:

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“Space:Queens”: Shervone Neckles


cd2lwabusaak8dxHello Everyone! I am back from my Barbados trip, where I learned a lot about the country, including finding out about some great visionary artists and creatives there. Speaking of visionary artists, below is my interview with Queens-based visual artist, educator, and community activist Shervone Neckles whose work looks at the intersections between science, nature, art, story and community. I hope you have enjoyed my Astro-Caribbean series for the past few weeks and although I am back, I will continue it for a week or two, including some of the artists I found out about in Barbados. Stay tuned!


“I’m fascinated with the idea that the source of one’s healing and nurturing can also be the source of one’s pain and suffering…”

 

1) Tell the readers a little bit about yourself.

Im Shervone Neckles, an interdisciplinary artist, educator, community worker and art administrator. I am a first generation Caribbean-American raised in East Flatbush Brooklyn to Grenadian parents. My work weaves together concepts of nature and science with objects and practices rooted in Afro-Caribbean tradition.The art objects I make (book arts, printmaking, sculpture and multi-media techniques) are part of my ethnographic study on the social meaning of beauty, identity, and cultural authenticity within black womanhood.

In addition, my practice includes social experiments and curatorial projects that explores the commonalities, differences, contradictions, continuities and the many possibilities of cooperative learning and civic responsibility. I believe this exchange between community and artist is crucial to our ability to protect, preserve and make change where we live, work and practice from an informed and respectful place.

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StoryCraft: Jenny


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Facebook illustration in celebration of Barbados Independence

Since I’m in Barbados with my mother for Barbados’ 50th Independence Day Celebration, I thought I should share a children’s story I had been working on inspired by my mother and Barbados culture. I wanted to write a kind of Bajan Cinderella story after hearing about my mother’s childhood and learning more about the culture in Barbados, like Crop Over festival and costumed characters like Mother Sally.

The story’s title and main character is Jenny, a shortened version of my mother’s name. Jenny lives with her aunt Sheila and three cousins who treat her unfairly and have left her behind to go to the Crop Over Festival. After they leave, Jenny is introduced to a new woman coming up the road named Mother Sally.

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Basic.Instructions.Before.Leaving.Earth: Caribbean Comics


Beaming in from Barbados –Back with the Astro-Caribbean series…

The United States has a large comics book industry. But that doesn’t mean other places are not developing their own. As my parents are from Barbados and Dominica, I wanted to feature two comic book creators and publishers making it happen in the Caribbean:

Beyond Publishing Caribbean

Matthew Clarke

“Beyond Publishing is a group of young and talented Barbadian artists and writers who are seeking to encourage reading and creativity by capturing the imagination of young people and the young at heart.

Beyond Publishing tries to showcase stories with a Barbadian or Caribbean flavour, through several genres: comedy, adventure, educational or drama.”

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Astro-Caribbean Series!


This month I will be heading to the island of Barbados, where my mother is from, for a few weeks. So I thought why not do a few posts dedicated to speculative imagination of the Caribbean while I’m there! As one exhibition and book were titled, Who More Sci-fi than Us?

Below is a video from Astro-Caribbean/New Flesh spacemen comprised of British rappers Juice Aleem and Toastie Taylor.

 

Moving on the Wires: ‘The Sound of Culture: Diaspora and Black Technopoetics’


Louis Chude-Sokei, the author of  The Last ‘Darky‘: Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora, will be releasing a new book, The Sound of Culture: Diaspora and Black Technopoetics.

Chude-Sokei, as he has done in his previous work, explores the complexities of race and ethnicity through a Caribbean lens. As someone who calls myself Afro-Caribbean-American, I realize how sometimes I don’t neatly fit into a dominant idea of blackness, which is usually centered around U.S. America black cultures. Because of that, I often notice how Black people from all over the world often have to adjust their ethnic identities by putting on, by playing with, by expanding the definitions of blackness.

In his first book, The Last Darky, Chude-Sokei examines the life of Bert Williams, who was from the Bahamas, and how minstrelsy weirdly became a technology Williams used to complicate blackness, to explore and break from the boundaries of the stereotypes of blackness. It explores how someone who was an immigrant, who had a different ethno-cultural identity, but was also considered superficially black, related to and navigated the world of blackness in America. It explores the intersections between, carnival/playing mas, masquerade, blackface and creation of identity.

In The Sound Culture, Chude-Sokei continues his exploration of the intersections of music, race, ethnicity, masquerade/carnival, minstrelsy, science fiction, and technology/machinery in the modern world through the lens of Caribbean creolity or hybridity.

Below are the table of contents for the book to pique your interest:

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Modern Griot Interviews: Janluk Stanislas and ‘Trafik d’Info’


AFFICHE TRAFIK D'INFOI met Janluk Stanislas at a recent Caribbeing event and found out about his 2005 Caribbean futuristic short film, Trafik d’Info. As someone of Afro-Caribbean descent, I am always looking for speculative works from the Caribbean and so this excited me. Trafik d’Info, known as the first science fiction film from the Caribbean, centers on a 20th century organization of rebels who are illegally trading information despite censorship from authorities. One of the agents of the organization, Jouwa, hunted the militia, is attempting to save important information so that people in his generation and future generations can receive it. Later in the film we see the effects of the efforts of this organization in the future. Below is my interview with Stanislas about the film:

1) Tell us a little about your background and how it influenced you to be a filmmaker.

I’m French Caribbean, born on the island of Guadeloupe. I’m part of that generation that grew up with the values that our parents and grandparents instilled, but also grew up with the beginning of advanced technology. My parents had a TV when I was one, and I remember going to the movies with my father later on every weekend. My mother influenced both my brother and I to play the piano and always found a way to document the family. I guess that the essence of my art form today was always surrounding me since my young age.

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