Our society often focuses more on representation and showing images of oppressed people as proof we have “progressed,” but the other side of true moving forward for people who live in oppressive societies is self-determination, something that often gets ignored for the more superficial representation only politics. Self-determination is the freedom and ability to control your own life, taking full responsibility in making decisions for yourself that will impact your future. That is something often not celebrated or promoted when it comes to those of us who are not at the top; we are expected to remain dependent on the dominant powers.
The recent month-long exhibition at Weeksville Heritage Center in Brooklyn, set out to highlight ways black communities in Brooklyn have in the past and today are doing actions of self-determination. Funk, God, Jazz and Medicine: Black Radical Brooklyn honored the history of the neighborhood of Weeksville in Brooklyn, founded by James Weeks, who bought land in 1838 in that area in order to receive the right to vote and convinced other black people to do the same. New Weeksville executive director Tia Powell Harris listed a few words that represents the history of Weeksville and the projects: empowerment, equity, sustainability, self empowerment and self actualization. Placing four different art and community projects throughout the neighborhood as well as having different conversations focused on the different aspects of the exhibition, Funk, God, Jazz and Medicine revealed interconnections between self-determination, community, politics, art, spirituality and health that often are disregarded in the individualistic mainstream culture.
The four parts of the title were attributed to each project: