Ekari (Ashleigh Ekari) is developing a series called TRANSMISSION: Afrofuturism as an Archive as part of her senior capstone project for the class Re-Imagining the Archive. She describes it as “exploring the ways in which speculative fiction, namely Afrofuturism, functions as a ‘future archive,'” or in other words, “a collection of speculative future possibilities, a collection of desires (and fears) projected into the future.”
The project is a series of interviews with various creatives and educators, asking each of them to use their own experiences to “create and flesh out Sage, a fictional character living in a parallel universe in the year 2015.”
Thinking about the purpose of the project, I immediately thought of Peter Wheastaw in Ellison’s Invisible Man and his collection of blueprints, a reservoir of possible social structures.
Below are the first two interviews conducted with Ronika McClain and Malikah S.
[vimeo 76021465 w=700&h=480][vimeo 76244502 w=700&h=480]
Sherese Francis: Futuristically Ancient 